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artist statement

 

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It is a difficult matter to answer the question, “Why do I paint?” Artists differ in their responses, of course, but many would say the creative urge just has to find release, or beauty must be shared, or some message must be communicated. For me, I think, it may just be a whole lot more basic.
 
Sitting before a palette of oil paint and a blank canvas evokes all manner of reactions and, I think, a compelling appeal to every sense. The smell of oil paint is wonderful and always brings to my mind memories of art schools, studios or museums. The stimulation to the eye, of course, is best of all. Seeing delicious colors laid out in an ordered way makes my heart always beat a little bit faster in anticipation of ‘beginning’. There is even an appeal to the ear. Some say your brush should make NO sound as you put paint to canvas. Others revel in the scrubbing sounds a brush or knife can make. I more often associate painting with a lack of sound, a wonderful quiet, a lack of the noises of the outside world when I am fully tuned in to my painting. And finally, the sense of touch is often so compelling that nothing will do but for me to lay aside the brush, or stick of charcoal, and just use my fingers.
 
My favorite media are oil, for the appeal to all those senses, acrylic for fast and looser work, pen and ink for detail, and charcoal for getting my hands ‘really dirty’.
 
All of the above are reasons to BEGIN a painting (or drawing). The reason I KEEP painting is that elusive search for THE best painting one could ever do. It is a gigantic puzzle to solve and one never completely ‘gets there’. The real excitement is that painting is something I can do at 90 or 100 or even 1000 years of age. I absolutely believe that our Creator, Who started this whole creative endeavor, and Who made us in His image, will continue to let us, like Him, keep on being creative-forever.
 
My inspiration comes from many vague sources and a few very specific ones, such as sunsets and long open highways that touch the horizon. But mainly it comes from light-light-light; light striking objects, or light just hovering in the air. Always it is about the Light.
 
There are artists who inspire me also. Rembrandt for his dark and mysterious canvases, Degas for his wonderful compositions, and Van Gogh for his ability to ‘break out of that box’, especially in the few years he had to work. ‘Vincent’ is probably a big inspiration for me right now, as I am coming back to painting again after twenty years of doing only left-brained stuff. Sometimes I almost feel panicky that I’m getting such a late start, but then I remember ‘Vincent’ and all the work he did in only 10 years. Edvard Munch also had encouraging words to say about "late starts". He once said "My breakthrough came very late in life, really only starting when I was fifty years old. But at that time I felt as though I had the strength for new deeds and ideas." 
 
Plus, I feel that God has granted me a gift, especially for this chapter in my life. My goal is to use this in some way to help others to see-not just beauty, but surely that, and not just works with great design, but that too. Mainly I want to communicate to others the realness of our Creator; Who Alone gives light-- light to paint and Light to See.